Character: Clown

Play: ALL’S WELL THAT ENDS WELL

Scene: Act I Scene 3

Brief Synopsis:This play is about Helen, who is in love with Bertram, follows him to court and somehow manages to cure the king of a fatal illness. As her reward, the king declares she can marry whoever she chooses. This scene takes place just as she is about to choose Bertrum- and meanwhile in the court, the clown is chatting with the Countess of Rossillion (Bertrum’s mother).

Speech:

You’re shallow, madam, in great friends; for the
knaves come to do that for me which I am aweary of.
He that ears my land spares my team and gives me
leave to in the crop; if I be his cuckold, he’s my
drudge: he that comforts my wife is the cherisher
of my flesh and blood; he that cherishes my flesh
and blood loves my flesh and blood; he that loves my
flesh and blood is my friend: ergo, he that kisses
my wife is my friend. If men could be contented to
be what they are, there were no fear in marriage;
for young Charbon the Puritan and old Poysam the
Papist, howsome’er their hearts are severed in
religion, their heads are both one; they may jowl
horns together, like any deer i’ the herd.

Character: Ariel

Play: THE TEMPEST

Scene: Act III Scene 3

Brief Synopsis  Prospero, the Duke of Milan, has been usurped and banished with his daughter. They arrive on a strange island, where Prospero spends his years ruling the creatures there with his magic. The play begins as Prospero has managed to shipwreck a boat carrying those who had caused his banishment. They arrive on the Island, and Prospero works his magic to humiliate them and to execute his revenge. In this scene, the spirit, Ariel, forms the shape of a harpy and torments Alonso, Sebastian, and Antonio .

Speech:

You are three men of sin, whom Destiny,
That hath to instrument this lower world
And what is in’t, the never-surfeited sea
Hath caused to belch up you; and on this island
Where man doth not inhabit; you ‘mongst men
Being most unfit to live. I have made you mad;
And even with such-like valour men hang and drown
Their proper selves.
[ALONSO, SEBASTIAN &c. draw their swords]
You fools! I and my fellows
Are ministers of Fate: the elements,
Of whom your swords are temper’d, may as well
Wound the loud winds, or with bemock’d-at stabs
Kill the still-closing waters, as diminish
One dowle that’s in my plume: my fellow-ministers
Are like invulnerable. If you could hurt,
Your swords are now too massy for your strengths
And will not be uplifted. But remember—
For that’s my business to you—that you three
From Milan did supplant good Prospero;
Exposed unto the sea, which hath requit it,
Him and his innocent child: for which foul deed
The powers, delaying, not forgetting, have
Incensed the seas and shores, yea, all the creatures,
Against your peace. Thee of thy son, Alonso,
They have bereft; and do pronounce by me:
Lingering perdition, worse than any death
Can be at once, shall step by step attend
You and your ways; whose wraths to guard you from—
Which here, in this most desolate isle, else falls
Upon your heads—is nothing but heart-sorrow
And a clear life ensuing.

Character: Citizen 

Play: KING JOHN

Scene: Act II scene 1

Brief Synopsis: John has become King of England, but the French argue that Arthur, the young child of Constance and the deceased older brother of the King, should be King instead. French & English forces fight for the town of Anglers in France. A citizen proposes that France and England should be united by marriage through the French Dauphin, Lewis, and John’s niece Lady Blanche. Constance is angry that the French have given up on her son’s claim to the throne. John is excommunicated and the French are stirred to resume war against England. Arthur is captured and dies trying to escape.

Speech:

That daughter there of Spain, the Lady Blanch,
Is niece to England: look upon the years
Of Lewis the Dauphin and that lovely maid:
If lusty love should go in quest of beauty,
Where should he find it fairer than in Blanch?
If zealous love should go in search of virtue,
Where should he find it purer than in Blanch?
If love ambitious sought a match of birth,
Whose veins bound richer blood than Lady Blanch?
Such as she is, in beauty, virtue, birth,
Is the young Dauphin every way complete:
If not complete of, say he is not she;
And she again wants nothing, to name want,
If want it be not that she is not he:
He is the half part of a blessed man,
Left to be finished by such as she;
And she a fair divided excellence,
Whose fulness of perfection lies in him.
O, two such silver currents, when they join,
Do glorify the banks that bound them in;
And two such shores to two such streams made one,
Two such controlling bounds shall you be, kings,
To these two princes, if you marry them.
This union shall do more than battery can
To our fast-closed gates; for at this match,
With swifter spleen than powder can enforce,
The mouth of passage shall we fling wide ope,
And give you entrance: but without this match,
The sea enraged is not half so deaf,
Lions more confident, mountains and rocks
More free from motion, no, not Death himself
In moral fury half so peremptory,
As we to keep this city.

Character: Rumour

Play: HENRY IV PART II

Scene: Prologue

Brief Synopsis: The Earl of Northumberland tries to avenge his son’s death by supporting a second rebellion. With civil war looming, King Henry IV grows sick, while his son (Hal) continues drinking and living a reckless life with his friends (including Sir John Falstaff). The prince and king reconcile on the king’s deathbed, and Prince Hal ascends the throne as a more mature Henry V. 

Speech:

Open your ears; for which of you will stop
The vent of hearing when loud Rumour speaks?
I, from the orient to the drooping west,
Making the wind my post-horse, still unfold
The acts commenced on this ball of earth.
Upon my tongues continual slanders ride,
The which in every language I pronounce,
Stuffing the ears of men with false reports.
I speak of peace while covert emnity,
Under the smile of safety, wounds the world;
And who but Rumour, who but only I,
Make fearful musters and prepar’d defence,
Whiles the big year, swoln with some other grief,
Is thought with child by the stern tyrant war,
And no such matter? Rumour is a pipe
Blown by surmises, jealousies, conjectures,
And of so easy and so plain a stop
That the blunt monster with uncounted heads,
The still-discordant wav’ring multitude,
Can play upon it. But what need I thus
My well-known body to anatomize
Among my household? Why is Rumour here?
I run before King Harry’s victory,
Who, in a bloody field by Shrewsbury,
Hath beaten down young Hotspur and his troops,
Quenching the flame of bold rebellion
Even with the rebels’ blood. But what mean I
To speak so true at first? My office is
To noise abroad that Harry Monmouth fell
Under the wrath of noble Hotspur’s sword,
And that the King before the Douglas’ rage
Stoop’d his anointed head as low as death.
This have I rumour’d through the peasant towns
Between that royal field of Shrewsbury
And this worm-eaten hold of ragged stone,
Where Hotspur’s father, old Northumberland,
Lies crafty-sick. The posts come tiring on,
And not a man of them brings other news
Than they have learnt of me. From Rumour’s tongues
They bring smooth comforts false, worse than true wrongs.

Character: Chorus

Play: HENRY V

Scene: Prologue

Brief Synopsis: Henry V centres around the newly crowned King Henry V and his right to rule both England and France. The French King rejects Henry’s claim to the crown. Henry’s forces take the town of Harfleur, and then begin to retreat through Normandy due to the poor condition of the men. Henry still plans for the soldiers to fight, and on the eve of the battle of Agincourt, he disguises himself and goes through his camp, hearing what his men and soldiers truly think. The following day, he rouses his troops and places them all in God’s hand, and a miraculous English victory is won. Henry then weds Princess Katherine to cement the linking of France and England through marriage. This Play is the first time Shakespeare has experimented using a character of ‘chorus’

Speech:

O for a Muse of fire, that would ascend
The brightest heaven of invention,
A kingdom for a stage, princes to act
And monarchs to behold the swelling scene!
Then should the warlike Harry, like himself,
Assume the port of Mars; and at his heels,
Leash’d in like hounds, should famine, sword and fire
Crouch for employment. But pardon, and gentles all,
The flat unraised spirits that have dared
On this unworthy scaffold to bring forth
So great an object: can this cockpit hold
The vasty fields of France? or may we cram
Within this wooden O the very casques
That did affright the air at Agincourt?
O, pardon! since a crooked figure may
Attest in little place a million;
And let us, ciphers to this great accompt,
On your imaginary forces work.
Suppose within the girdle of these walls
Are now confined two mighty monarchies,
Whose high upreared and abutting fronts
The perilous narrow ocean parts asunder:
Piece out our imperfections with your thoughts;
Into a thousand parts divide on man,
And make imaginary puissance;
Think when we talk of horses, that you see them
Printing their proud hoofs i’ the receiving earth;
For ’tis your thoughts that now must deck our kings,
Carry them here and there; jumping o’er times,
Turning the accomplishment of many years
Into an hour-glass: for the which supply,
Admit me Chorus to this history;
Who prologue-like your humble patience pray,
Gently to hear, kindly to judge, our play.

Character: Chorus

Play: HENRY V

Scene: Prologue

Brief Synopsis: Henry V centres around the newly crowned King Henry V and his right to rule both England and France. The French King rejects Henry’s claim to the crown. Henry’s forces take the town of Harfleur, and then begin to retreat through Normandy due to the poor condition of the men. Henry still plans for the soldiers to fight, and on the eve of the battle of Agincourt, he disguises himself and goes through his camp, hearing what his men and soldiers truly think. The following day, he rouses his troops and places them all in God’s hand, and a miraculous English victory is won. Henry then weds Princess Katherine to cement the linking of France and England through marriage. This Play is the first time Shakespeare has experimented using a character of ‘chorus’

Speech:

O for a Muse of fire, that would ascend
The brightest heaven of invention,
A kingdom for a stage, princes to act
And monarchs to behold the swelling scene!
Then should the warlike Harry, like himself,
Assume the port of Mars; and at his heels,
Leash’d in like hounds, should famine, sword and fire
Crouch for employment. But pardon, and gentles all,
The flat unraised spirits that have dared
On this unworthy scaffold to bring forth
So great an object: can this cockpit hold
The vasty fields of France? or may we cram
Within this wooden O the very casques
That did affright the air at Agincourt?
O, pardon! since a crooked figure may
Attest in little place a million;
And let us, ciphers to this great accompt,
On your imaginary forces work.
Suppose within the girdle of these walls
Are now confined two mighty monarchies,
Whose high upreared and abutting fronts
The perilous narrow ocean parts asunder:
Piece out our imperfections with your thoughts;
Into a thousand parts divide on man,
And make imaginary puissance;
Think when we talk of horses, that you see them
Printing their proud hoofs i’ the receiving earth;
For ’tis your thoughts that now must deck our kings,
Carry them here and there; jumping o’er times,
Turning the accomplishment of many years
Into an hour-glass: for the which supply,
Admit me Chorus to this history;
Who prologue-like your humble patience pray,
Gently to hear, kindly to judge, our play.